# Snowmoon: Vitalik Buterin’s Science-Fiction Experiment in Governance, AI, and Open Societies Source: [Canonical page](https://apphall.org/blog/snowmoon-vitalik-buterin-s-science-fiction-experiment-in-governance-ai-and-open-societies) Snowmoon is Vitalik Buterin’s speculative fiction experiment about governance, AI, privacy, pluralism, and the survival of open societies. Set in a technologically advanced future, it explores how decentralized civilizations can remain adaptive and humane while developing enough coordination, resilience, and strategic strength to withstand powerful centralized rivals. Vitalik Buterin is best known as the co-founder of Ethereum and as one of the most distinctive thinkers in crypto, governance, privacy, public goods, and decentralized technology. But [*Snowmoon*]() is something different. Rather than presenting another essay on mechanism design or digital institutions, *Snowmoon* turns many of those ideas into fiction. Set in a far-future world of advanced cryptography, artificial intelligence, drones, automated manufacturing, privacy infrastructure, and experimental political systems, the work asks a deceptively simple question: **What would happen if many of today’s technological ideals actually worked—and society then had to live with the consequences?** The result is a strange and ambitious hybrid: part political science fiction, part institutional thought experiment, part philosophical dialogue, and part speculative exploration of what an open society might need in order to survive. At its center is a tension that runs through nearly every chapter: **How can a society remain open, pluralistic, and humane without becoming too weak to defend itself against systems that are more centralized, more coordinated, and more willing to optimize for power?** That question makes *Snowmoon* much more than a futuristic adventure. It is a fictional laboratory for ideas about governance, competition, privacy, AI, public goods, war, and civilization itself. ## A Future Where the Technology Already Works Many science-fiction stories begin by imagining a breakthrough technology and then exploring its consequences. *Snowmoon* starts later. Its world is already saturated with technologies that today still feel experimental or incomplete. Zero-knowledge proofs, verifiable computing, hardware attestation, sophisticated AI systems, secure communication, automated monitoring, and privacy-preserving infrastructure are part of everyday life. A drone flying overhead can be cryptographically authenticated. Devices can prove what software they are running. Surveillance systems can be inspected and audited. Citizens can use tools designed to preserve privacy while still participating in complex institutions. This is important because *Snowmoon* is not primarily asking whether these technologies are possible. Instead, it asks what comes after technical success. Suppose cryptography really can protect privacy. Suppose open software really can underpin major institutions. Suppose governance can be made more transparent. Suppose AI can be integrated into daily life. Suppose public-goods funding and institutional experimentation become routine. Would that produce a stable and desirable society? Or would an entirely new class of political problems emerge? In *Snowmoon*, technology solves some old problems while revealing deeper ones. ## Three Societies, Three Philosophies Much of the story can be understood through three major political systems: Veridia, Dzego, and the Arctic Empire. They are not merely fictional countries. Each functions as an institutional model. Together they form one of the most interesting parts of the book. ## Veridia: The Comfortable Open Society Veridia comes closest to the kind of society that many technologists might consider desirable. It values environmental quality, health, privacy, public goods, urban aesthetics, open technology, social trust, and distributed governance. It is peaceful and highly developed. One of its most distinctive institutions is the **Order of Steering**. Rather than governing primarily through direct commands, the Order designs systems of incentives. Its members create rules, ratings, taxes, subsidies, and other mechanisms intended to push society toward better outcomes. The idea is deeply connected to mechanism design. Instead of telling everyone exactly what to do, institutions create environments in which decentralized individuals can make their own decisions while still generating socially useful results. This becomes especially relevant in areas such as open-source software and public goods. A company may receive only part of the value created by software it develops, while the wider society gains much more. Traditional markets can therefore underfund things whose benefits are broadly distributed. Veridia attempts to correct these problems through institutional engineering. But this also creates a recurring difficulty. Once a metric becomes important, people learn to optimize for it. Once incentives are introduced, participants adapt. A rule designed to improve society may work for a while and then begin creating distortions. In that sense, Veridia constantly struggles with something resembling Goodhart’s Law: when a measure becomes a target, it can stop being a good measure. Its institutions are sophisticated, but never finished. ## Dzego: Adversarial Openness If Veridia represents cooperative institutional design, Dzego represents something closer to adversarial resilience. Its culture is much more comfortable with competition, inspection, distrust, and constant testing. Public infrastructure may be open to physical inspection. Surveillance devices can be examined. Systems are built around the assumption that someone will eventually try to exploit them. Rather than asking citizens to simply trust authorities, Dzego attempts to make trust less necessary. Its underlying philosophy resembles the security model of cryptography: **do not assume everyone will behave well; design systems that remain robust even when participants are curious, competitive, or hostile.** This does not mean Dzego is chaotic. Quite the opposite. Its competitive culture appears to produce strong technical competence and a remarkable ability to detect weaknesses. Games are especially important in Dzego, including the fictional strategy game Minpentai. Competitive play is not treated as a distraction from social cooperation. It becomes a training ground for strategic thinking. That distinction matters. One of *Snowmoon*’s recurring ideas is that competition and cooperation do not have to be opposites. A well-designed system can use competition to improve collective capability. Scientific communities, markets, open-source ecosystems, sports, prediction systems, and games can all generate knowledge through structured rivalry. Dzego embodies this logic. ## The Arctic Empire: Optimization Taken Seriously The Arctic Empire is the clearest external threat in the story, but it would be a mistake to treat it as a simple cartoon dictatorship. Its worldview has an uncomfortable internal logic. The Empire is highly centralized, technologically sophisticated, strategically focused, and militarily powerful. Its defenders argue that many things societies value—happiness, health, cohesion, comfort—can fluctuate over time. By contrast, scientific advancement, capital accumulation, productive capacity, and technological growth can compound. From this perspective, a civilization should organize around the things that grow cumulatively. The result is a society optimized for long-term power. This makes the Arctic Empire dangerous not because it is incompetent, but because it is effective. That is one of the stronger ideas in *Snowmoon*. A threatening political system does not have to be irrational. It may instead be extraordinarily good at pursuing a narrow objective. And that immediately creates a larger philosophical problem. If one society prioritizes pluralism, quality of life, privacy, experimentation, and personal freedom while another concentrates relentlessly on military and technological strength, what happens when the two eventually collide? ## The Central Conflict: Can a Good Society Defend Itself? This question becomes the political heart of *Snowmoon*. Veridia is pleasant, peaceful, sophisticated, and humane. But those very qualities may have produced complacency. Its institutions have become excellent at optimizing everyday life. They are less obviously prepared for existential threats. Meanwhile, the Arctic Empire is willing to organize enormous resources around military expansion. Eventually, that difference matters. War arrives. The conflict reveals a weakness that open societies have confronted throughout history: institutions optimized for normal life may struggle when confronted by actors optimized for emergency, conquest, or violence. The question is not simply whether Veridia needs a stronger military. The deeper question is whether it can develop stronger coordination without destroying the qualities that made it worth defending. How much centralization is acceptable during a crisis? How much institutional power should be temporary? Can a society become highly coordinated without becoming permanently hierarchical? Can it defend itself against an empire without gradually turning into another empire? These are the questions that lead to *Snowmoon*’s most memorable metaphor. ## Water and Ice Near the end of the work, society is compared to water. In ordinary conditions, the molecules of a lake move independently. They do not require a central authority to tell each molecule where to go. Local interactions and physical forces create large-scale order. This becomes an analogy for decentralized society. Markets, scientific communities, civil society, open debate, cultural experimentation, and distributed institutions can all produce order without requiring a single central planner. In peaceful conditions, society should often behave like water. It should remain fluid. People should be free to pursue different goals. Institutions should be able to adapt. No single objective should dominate everything. But water changes when winter comes. It freezes. Its molecules become locked into a more coordinated structure. That represents the kind of collective organization that may be necessary during war or other existential emergencies. The challenge is therefore not to choose between water and ice. It is to build a society capable of both. An open civilization must be fluid enough to allow freedom and experimentation, while retaining the ability to coordinate when survival requires it. And perhaps most importantly, it must be capable of melting again. The danger is not merely insufficient coordination. Permanent coordination can be equally dangerous. A society that freezes itself to survive one crisis may discover that it has become permanently rigid. ## Why “Snowmoon” Is an Appropriate Title The title becomes more meaningful once this metaphor is understood. Throughout the book, seasonal and physical imagery—snow, ice, water, changing moons—reinforces the idea that institutions should not necessarily exist in a single permanent state. A healthy political system may need multiple forms. Some areas can remain highly decentralized. Others may require structured coordination. Small groups may organize tightly while the broader society remains fluid. Different institutions can operate under different rules. This is closer to an ecosystem than to a machine. And that leads toward one of *Snowmoon*’s most important themes: pluralism. ## A Novel About Pluralism If there is one concept that ties much of *Snowmoon* together, it is the rejection of universal solutions. The story does not suggest that markets solve everything. Nor does it suggest that governments solve everything. It does not treat decentralization as universally superior to centralization. Competition is useful in some contexts and destructive in others. Transparency can prevent abuse, while excessive transparency can destroy privacy. AI can improve institutions, but allowing one AI system to control the institutional environment may create catastrophic concentration of power. The recurring answer is not “choose the correct mechanism.” It is closer to: **maintain multiple mechanisms and allow them to coexist, compete, correct one another, and evolve.** This is institutional pluralism. Rather than searching for the perfect political architecture, *Snowmoon* imagines society as a collection of imperfect systems whose interactions may produce something more resilient than any single system could achieve. ## Privacy for Individuals, Transparency for Power Privacy is another major theme. The world of *Snowmoon* contains sophisticated surveillance and verification technology, but it does not treat transparency as an uncomplicated virtue. Instead, it suggests an asymmetry: **ordinary people should generally receive stronger privacy, while powerful institutions should face stronger transparency.** That distinction matters because surveillance is not simply about information. It is about power. When governments, corporations, military organizations, or other powerful entities can observe individuals while remaining opaque themselves, information asymmetry becomes a form of control. A better system would reverse part of that asymmetry. Citizens would gain tools for private communication and selective disclosure. Institutions would face auditing, verification, cryptographic accountability, and public inspection. This is a very different philosophy from both traditional mass surveillance and radical transparency. It treats privacy as something that should be distributed according to power relationships rather than applied uniformly. ## AI Should Be a Player, Not the Game Artificial intelligence becomes increasingly important as the story develops. One of the most provocative ideas in *Snowmoon* is that AI should participate in society without becoming the system that defines society. In other words: **AI can be a player, but it should not become the game itself.** This distinction reflects another concern about optimization. An AI system can be extraordinarily effective at pursuing a specified objective. But what happens when the objective is incomplete? Human societies rarely agree on a single definition of progress. We care about health, freedom, beauty, prosperity, security, privacy, fairness, discovery, community, autonomy, and many other values that frequently conflict. Compressing all of that into a single optimization function would be extraordinarily difficult. It may also be undesirable. A pluralistic system could instead contain multiple AI systems, institutions, communities, and decision-making processes. They would disagree. They would compete. They would negotiate. And no single optimizer would control the entire environment. This idea connects the AI question directly to the political question. The Arctic Empire can itself be understood as something resembling a civilization-scale optimizer: effective precisely because it is willing to simplify its objectives. That efficiency is also its danger. ## Games, Strategy, and Hidden Structure Games occupy an unusual amount of space in *Snowmoon*. At first this can seem eccentric. Characters discuss strategy games, mathematical puzzles, and competitive systems in considerable detail. But these scenes serve an important purpose. Games offer simplified environments in which strategic structures can become visible. A complicated position may contain an underlying mathematical invariant. A seemingly chaotic contest may possess a hidden equilibrium. A winning strategy may emerge once the right abstraction is discovered. This mirrors the broader intellectual method of the book. Political systems are also games in a broad sense. They contain incentives, participants, feedback loops, information asymmetries, and strategic behavior. Change the rules and behavior changes. But unlike mathematical games, societies are never fully specified. People adapt. Values evolve. New technologies appear. Participants learn how to exploit metrics. The “game” itself changes over time. That is why *Snowmoon* remains skeptical of final solutions. ## The Largest Threat May Not Be War Although geopolitical conflict drives much of the plot, the book eventually expands its perspective. The most profound long-term problem may not be one empire defeating another. It may be the acceleration of intelligence itself. What happens if the world contains not millions or billions of decision-makers, but trillions of AI agents? What happens if technological progress begins moving faster than institutions can adapt? Human governance already struggles to respond to innovation. Law, culture, political systems, and social norms often evolve more slowly than technology. A sufficiently rapid AI-driven acceleration could widen that gap dramatically. At that point, even the sophisticated institutions of *Snowmoon* might become obsolete faster than they can be repaired. This is where the story becomes less about crypto and more about civilization. The final challenge is not simply building good institutions. It is building institutions capable of continuing to evolve under conditions of extreme technological change. ## The Work Itself Is Part of the Experiment Even the way *Snowmoon* is published reflects its themes. Buterin states that the prose was written by him, with AI used for supporting tasks such as language checking, consistency work, technical assistance, and presentation. The project is also distributed under the GPLv3 license, an unusual choice for fiction. That decision is philosophically significant. The GPL was designed around the idea that software can be modified and redistributed while preserving certain freedoms for later users. Applying a similar logic to a fictional world suggests that stories themselves can function as open cultural infrastructure. Readers could theoretically adapt, remix, visualize, dramatize, or extend the work while preserving openness in the production process. In that sense, *Snowmoon* is not merely a story about open systems. It tries to behave like one. ## More Than a Crypto Novel Calling *Snowmoon* a “crypto science-fiction novel” would be accurate but incomplete. Crypto technologies are everywhere in its world, but the deeper subject is institutional design. The work asks what happens after decentralization stops being a slogan and becomes an operating principle. It asks how privacy works when verification is everywhere. It asks how open societies compete with centralized ones. It asks whether civilization should have a goal. It asks whether AI should optimize society or merely participate in it. And it asks whether the institutions we design today could survive a world in which technological change becomes dramatically faster. The answers are deliberately incomplete. That is probably the point. *Snowmoon* is not a manifesto for one political system. It is a fictional argument against the idea that any single system will permanently solve governance. Its strongest image is therefore also its simplest: A healthy society should know how to be water. It should remain fluid, diverse, adaptive, and decentralized when conditions allow. It should also know how to become ice when collective action is necessary. But it should never forget how to melt again. That tension—between freedom and coordination, openness and defense, competition and cooperation, privacy and accountability—is what makes *Snowmoon* such an interesting experiment. It is not only a story about the future. It is a story about how difficult it may be to build a future that remains worth living in.